At the edge of gesture, something slips.

These works hold moments in suspension—where a figure emerges but never quite arrives, where the body wavers between movement and stillness, where form is felt more than seen.

I’m drawn to states of transition. Not as subjects to be explained, but as conditions to be embodied: the pause before decision, the tension between knowing and unknowing, the quiet charge of becoming.

In this space of ambiguity, the unresolved is not a lack—but a presence.